‘… a collection of quietly elegiac pieces that doubles as a sort of audio documentary about Newfoundland’s organs and the congregations to which they belong.’ - The Guardian (UK)
‘A breathtaking musical document.’ - In Sheep's Clothing Hi Fi (US)
'music that straddles the line between the cosmic and quotidian’ - The Fader (US)
'unpredictable and enthralling ... rich and absorbing ... a far off, mysterious world comes to life’ - The Quietus (UK)
'Duguay captures a sonic ecology’ - The Wire (UK)
'a haunting album that serves both as rich sound art and as documentation of community, memory and faith’ - CBC Radio (CAN)
'Kingdom Come, Kingdom Go is about a lot of things: It’s about Newfoundland, and about organs, and about religion. But what it’s really about is finding connection in unlikely places.' - Bandcamp Daily
'a breathtaking achievement ... for music that holds so much weight in its flowing chord progressions and stoic drones, there’s an infectious joy embedded in this work.' - Foxy Digitalis (US)
'The album’s eleven compositions flow into each other, creating an overlapping collage of moods, from the energetic to the stately to the serene, that results in its own distinct aesthetic experience' - shfl (US)
'Kingdom Come, Kingdom Go’ defies any sort of production decorum' - Musictech/NME (UK)
‘a singularly eclectic sound based around avant-garde composition and experimental drone textures’ - NOIZZE UK (UK)
'On Asterisk Fields, Michael Cloud Duguay focuses on the sound of eight residential blocks around his house, adding complementary music that is often performed by the residents of the neighborhood, imitating a block party or a street fair, teeming with local flavor' - A Closer Listen
‘a force of nature whose effects on your soul and psyche are impossible to describe with mere words’ - Dominionated (CAN)
‘Enigmatic yet reverent music … a compelling debut that moves between big and small moments with grace’ - Uncut Magazine (UK)
‘★★★★’ - MOJO Magazine (UK)
‘will rewire neural pathways to ingrain itself on your psyche … a powerful example of what’s possible when artists have the courage and conviction to follow their instincts and hearts’ - Dominionated (CAN)
‘brims with wonder and gratitude for the natural world …’ - Globe and Mail (CAN)
‘a fascinating project and an incredible creative highpoint for Andrew MacKelvie and Watch That Ends The Night Records’ - UKVibe (UK)
‘A profound richness shines through in this collaborative project’ - The Wire Magazine (UK)
‘Hushed chamber-folk magic’ - Exclaim! Magazine (CAN)
